General Index of Terms and Topics

Accidentals   I.28, III.109
Alteration   III.99-101
Anticipation   II.24
Appoggiatura   II.11-13, 42-43, III.10-15, 71-72, 120-122, 137-149
Auxiliary note   III.42
Cadence   I.18-22, 34-36, II.54, III.16-25, 72-75
Circle of 5ths   I.14-15, 28, II.9, III.101-102
Closed spacing   I.36-37, 47, II.19, 45
Consonance   II.11-13, III.10-15
Contrary motion   I.47, 60, II.20, 37-39
Degree   I.18, 20-22, 47, 54-56
Dissonance   II.11-13, III.10-15
Dominant   I.21
Dominant 7th   III.19-20, 25, 106, 117
Exposed intervals   II.37-39, III.157
Figuration   III.42-45, 49-51, 59-60, 137-149¬†
Figured bass   I.44-45, II.20, 44, 72, III.31, 85-87, 90-91, 111, 139-143, 145-147
Homophony   II.60
Improvisation¬†   II.31-36, 60-64, 88-89, 91, 93, III.27-28, 40-41, 49-53, 65-68, 130-131
Intermediate dominant   III.106, 114
Key, major   I.18-19
Key, minor   I.24-28
Key, relative   I.27-28
Key recognition/signature   I.29-30, 45, III.102
Leading note   I.29-30
Mixed spacing   II.45, 53
Modulation   I.64-66, II.24-26, III.98-102, 106
Note-against-note harmonisation   I.51
Open spacing   I.36-37, II.45, 79, III.30, 32, 71, 125, 154-155
Parallel/similar motion   I.59-61, II.18-20, 37-39, 49, 54-55, 77, 80, III.18, 23, 150-160
Part writing   I.17, 23, 35, 36, 37 (note), 47, 72, II. 37, 61, 76, 79, 91, III.22, 29, 37 (note), 38 (note), 146-147, 151, 155, 158
Passing note   III.44-45, 115
Polyphony   II.60
Root note   I.7, 16-17, II.45, 71, III.9, 31, 71, 85-86
Scale, harmonic minor   I.24-25
Scale, major   I.7-9, II.7-10
Scale, melodic minor   I.26-28
Sequence   I.71, II.12
Seventh, ascending   III.117
Subdominant   I.22, III.101
Suspension   II. 11-13, 42-43, III.10-15, 71-72, 120-122, 137-149
Syncopation   II.16-17, III.10-15
Tierce de Picardie   I.45
Tonic   I.21
Transposition   II.27
Triad, major   I.16-17
Triad, minor   I.24
Triad, augmented and diminished   I.54-56, II.67-71
Triad on all degrees   I.54-56
Triad in 1st inversion   II.44-55, 68-71, 76-81
Triad in 2nd inversion   III.70-75, 120-127

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